http://warfare.uphero.com/Persia/13-14C/1341-Shahnama.htm
http://warfare.uphero.com/Persia/13-14C/1341-Shahnama.htm
Hunt in the mountains. Source: (1) Shahnama Project Frontispiece from a Shahnama (Book of Kings) by Firdawsi (d.1020); Illumination containing a Dedication to Qiwamuddawla wa'l-Din Hasan A Ruler Enthroned. Frontispiece. Source: (2) Smithsonian Chapter 7 Manuchihr Sam, Zal, Simurgh [Sam asks the Simurgh to return Zal?]. Source: (3) University of Washington Sabah Art collections, Mathaf al-Kuwayt al-Watani, Yemen The meeting of Zāl and Rudaba, father and mother of Rustam. [Zal sees Rudaba on the roof of her palace]. Source: (4) Museum of Fine arts, Boston Chapter 8 Nauzar Zāl joins Miḥrāb in battling the Turanians. Source: (5) The Walters Zahhak and Farshidward before Afrāsiyāb [?]. Source: (6) Smithsonian Chapter 10 Garshasp Zal tells Rustam to prepare for war against the Turanians. Source: (1) Shahnama Project Chapter 11 Kay Qubad Rustam Lifts Afrāsiyāb from the Saddle. Source: (7) Smithsonian's Museums of Asian Art Chapter 12 Kay Kavus Shah Kay Kavus Attempts To Fly To Heaven. Source: (8) Aga Khan's Museum Tahmineh comes to Rostam (Rustam). Source: (9) The Fitzwilliam Museum Rostam is approached by Tahmineh, the daughter of the King of Samagan in whose castle the hero is spending the night. Tahmineh, presumably the lady on the right (the other lady is her attendant), is a determined figure. The inclusion of an exterior brick wall enhances the notion that the spectator is getting a glimpse into an intimate scene. The candle that rises into the lines of text is suggestive of Rostam's response. Siyavush Displays his Skill at Polo before Afrāsiyāb. Source: (10) The Metropolitan Museum of Art Chapter 13 Kay Khusrau Pay Homage to Kay Khusrau [?]. Source: (11) Harvard University Library Tus battling the Turanians. [perhaps 'Farud shoots Tus' horse from under him']. Source: (12) The Walters The Iranians mourn Farud [& his mother Jarira]. Source: (13) Shahnama Project Iranian and Turanian Armies in Combat. [The Turanians defeat the Iranians]. Source: (14) The Metropolitan Museum of Art Rustam Pleads for Tus Before Kay Khusrau. Source: (15) The Metropolitan Museum of Art Rustam kills Ashkabus the Kashani and his horse. Source: (16) British Museum Rustam appears as the central figure dressed in dark garments, facing the supposed Ashkabus (gripping a sword in defence). White horse lies between fight, two men (companions) stand to right of Rustam. Rustam and the Iranian Army Besiege the Fortress of Kafur the Cannibal [Gustaham besieges Kafur the Cannibal's fortress, then Rustam fights Kafur]. Source: (17) Harvard Art Museums Rustam returning to Iran after killing the Div Akvan. [Kay Khusrau receives Rustam after he has killed Akvan Div]. Source: (18) Bonhams Bizhan Slaughters the Wild Boars of Irman. Source: (19) The Metropolitan Museum of Art Rustam Rescues Bijan (Bizhan) from the Well. Source: (20) Smithsonian's Museums of Asian Art Rustam confronting the Turanian, Pilsam. [perhaps 'The armies of Turan and Iran facing each other']. Source: (21) Smithsonian's Museums of Asian Art Nastihan Slain by Bijan. [Nastihan makes a night attack and is killed by Bizhan]. Source: (22) Smithsonian Two of the Duels between the Twelve Rukhs. Furuhad and Zangula (top); Ruhham and Barman (bottom). Source: (23) Smithsonian Shida, Son of Afrāsiyāb, Slain by Kay Khusraw (Khusrau). Source: (24) Smithsonian Kay Khusraw (Khusrau) crossing the sea. [Kay Khusrau returns from Gang Dizh by sea]. Source: (25) Smithsonian's Museums of Asian Art Execution of Afrāsiyāb. Source: (5) The Walters The Paladins of Kay Khusrau Perish in a Snowstorm. Source: (26) The Metropolitan Museum of Art The shah Kay Khusrau went to the mountains and disappeared in the snow. When his paladins realized what happened they set off to look for him, but they were caught in a snowstorm while asleep and they all perished. The illustration shows the typical traits of Injuid (1307-56) composition, with oversize figures against a mountainous landscape with pointed peaks. Another distinctive feature is the device of battle standards thrust into the upper margin of the page across the text to create a sense of expansive space. Chapter 14 Luhrasp Story of Luhrasp. [perhaps 'The death of Luhrasp in battle against the forces of Arjasp']. Source: (27) Smithsonian Chapter 15 Gushtasp Gushtasp killing the Dragon [in Rum]. Source: (28) Smithsonian's Museums of Asian Art Rustam Discoursing with Isfandiyar. [Rustam argues with Isfandiyar during the feast]. Source: (29) The Metropolitan Museum of Art Rustum (Rustam) Fighting with Isfandiyar. [perhaps 'The first combat of Rustam and Isfandiyar']. Source: (30) Albright Knox Gallery Chapter 22 The Sassanians: Ardashir Babakan (42 years) Shahpur at the well. Source: (31) University of Washington Chapter 34 Yazdagird the Sinner Yazdgird Shahriyar Enthroned. Source: (32) Smithsonian Bahrām Gūr Ascends to the Throne. Source: (33) Christies Chapter 35 Bahram Gur Bahrām Gūr in a peasant's house. [Bahram Gur helps the landlord's cow to produce milk again]. Source: (34) The Walters Bahrām Gūr Slays a Dragon in India. Source: (35) Smithsonian The Sasanian King Yazdigird Killed by a Kick from a Horse [Yazdigird II?]. Source: (36) Chester Beatty Library Per 110, ff. 71a . This folio is part of a dispersed Shahnama (Book of Kings) manuscript made for the Injuid vazir, or government minister, Qivam al-Din. The comparatively large figures, shallow picture space and horizontal format are typical of Islamic painting in all regions before the late fourteenth century. However, the simplified, highly stylized forms of the vegetation and the red background of this illustration are characteristic specifically of painting in the city of Shiraz in southern Iran in the time of the Injuid dynasty (c. 1325-53). Chapter 39 Balash son of Piruz Sarafra'i Kills Khushnavaz in a Night Battle [Khushnavaz fights Sufaray]. Source: (37) Brooklyn Museum War was considered the most dangerous of imperial activities, but a ruler often depended on it to acquire or expand his kingdom. In this battle scene, armor-clad mounted warriors charge full speed ahead their adrenaline dynamically expressed through diagonally drawn bows, galloping horses, and the spiraling clouds of dust that frame them and rise up between the opposing forces. Along with the red and yellow ochre palette, the warriors' long torsos and the shallow background represent a style unique to painting in Shiraz under the lnjuids, governors of Fars province and vassals to the Ilkhanid Mongol rulers of Iran in the fourteenth century.This folio belongs to a manuscript commissioned by Qavam al-Din Hasan, minister to the Injuid governor of Fars province, Abu lshaq (ruled 1335-1353), in A.H. 741/1341 A.D., as stated in its colophon. Court life thus extended into the lives of independent governing courts at the furthest reaches of the empire. Chapter 41 Kisra Anushirvan King Khusraw (Kisra) Anushirvan Enthroned. Source: (38) Los Angeles County Museum of Art Chapter 43 Khusrau Parviz Kharrad Recognizes the Princess as being an Automaton [Kharrad Barzin investigates the weeping talisman and reveals its secret?]. Source: (39) The Metropolitan Museum of Art Other Images - chapters unknown |